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	<title>Comments on: Led Zeppelin &#8211; New York In The Wind (Empress Valley EVSD- 312/313)</title>
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	<description>The Standard In Live Release Analysis</description>
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		<title>By: gsparaco</title>
		<link>http://www.collectorsmusicreviews.com/empress-valley-label/led-zeppelin-new-york-in-the-wind-empress-valley-evsd-312313/comment-page-1/#comment-181</link>
		<dc:creator>gsparaco</dc:creator>
		<pubDate>Tue, 11 Mar 2008 14:03:23 +0000</pubDate>
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		<description><![CDATA[Hager is correct.  &lt;em&gt;In The Heat Of The Night&lt;/em&gt; on Beelzebub is the superior release and is recommended over the Empress Valley.]]></description>
		<content:encoded><![CDATA[<p>Hager is correct.  <em>In The Heat Of The Night</em> on Beelzebub is the superior release and is recommended over the Empress Valley.</p>
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		<title>By: Hager</title>
		<link>http://www.collectorsmusicreviews.com/empress-valley-label/led-zeppelin-new-york-in-the-wind-empress-valley-evsd-312313/comment-page-1/#comment-179</link>
		<dc:creator>Hager</dc:creator>
		<pubDate>Mon, 10 Mar 2008 10:32:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.collectorsmusicreviews.com/empress-valley-label/led-zeppelin-new-york-in-the-wind-empress-valley-evsd-312313/#comment-179</guid>
		<description><![CDATA[I have Beelzebub&#039;s &quot;In the Heat of the Night&quot; title containing these two shows, but, similar to Mr. Sparaco, don&#039;t have the comparative EV release, and see no need for it.  This may be Beelzebub&#039;s finest effort, which I believe was that dubious label&#039;s very first release.  The sound from the January 31st show is relatively clear, very powerful, and something I can imagine the Iron Butterfly dreading.  While &quot;Pat&#039;s Delight&quot; was dropped right in the middle of the set, it&#039;s awesome to hear how wildly the crowd reacts to Bonzo.  Maybe it was Iron Butterfly&#039;s drummer who decided he wouldn&#039;t play, with that rudimentary solo (although classic) he did during &quot;In A Gadda Da Vida&quot; no match for the creativity and extreme chops displayed by Mr. Bonham.  Zep does perform superior versions of &quot;How Many More Times&quot; and &quot;You Shook Me&quot; afterward, so the crowd was treated to an amazing show by the warm-up band.  The second night, February 1st, is of poorer quality and not a very enjoyable listen.  It&#039;s muddy, distant, and distorted.  In possibly a sign of things to come, the last track on disc 2 (all of Beelzebub&#039;s titles have been on CD-R) is a 20:34 version of &quot;Communication Breakdown&quot;.  Of course, the song is only about 4:00 long, with the remaining 16:00+ minutes being dead silence.  Beelzebub&#039;s packaging is pretty cool, too, being a bi-fold heavy paper case with pictures from the shows and an interesting, colorful collage on the front of the case.  Given the quality of these recordings, I doubt one release of these 2 shows is significantly better than the other.]]></description>
		<content:encoded><![CDATA[<p>I have Beelzebub&#8217;s &#8220;In the Heat of the Night&#8221; title containing these two shows, but, similar to Mr. Sparaco, don&#8217;t have the comparative EV release, and see no need for it.  This may be Beelzebub&#8217;s finest effort, which I believe was that dubious label&#8217;s very first release.  The sound from the January 31st show is relatively clear, very powerful, and something I can imagine the Iron Butterfly dreading.  While &#8220;Pat&#8217;s Delight&#8221; was dropped right in the middle of the set, it&#8217;s awesome to hear how wildly the crowd reacts to Bonzo.  Maybe it was Iron Butterfly&#8217;s drummer who decided he wouldn&#8217;t play, with that rudimentary solo (although classic) he did during &#8220;In A Gadda Da Vida&#8221; no match for the creativity and extreme chops displayed by Mr. Bonham.  Zep does perform superior versions of &#8220;How Many More Times&#8221; and &#8220;You Shook Me&#8221; afterward, so the crowd was treated to an amazing show by the warm-up band.  The second night, February 1st, is of poorer quality and not a very enjoyable listen.  It&#8217;s muddy, distant, and distorted.  In possibly a sign of things to come, the last track on disc 2 (all of Beelzebub&#8217;s titles have been on CD-R) is a 20:34 version of &#8220;Communication Breakdown&#8221;.  Of course, the song is only about 4:00 long, with the remaining 16:00+ minutes being dead silence.  Beelzebub&#8217;s packaging is pretty cool, too, being a bi-fold heavy paper case with pictures from the shows and an interesting, colorful collage on the front of the case.  Given the quality of these recordings, I doubt one release of these 2 shows is significantly better than the other.</p>
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