14 January 2008, gsparaco @ 2:10 pm
Zirkus Krone ’70 (Sigma 6)
Zirkus Krone, Munich, Germany – November 29th, 1970
Disc 1: Astronomy Domine, Fat Old Sun, Cymbaline, Atom Heart Mother
Disc 2: Embryo, Green Is The Colour, Careful With That Axe Eugene, Set The Controls For The Heart Of The Sun, A Saucerful Of Secrets
Right after the release of Atom Heart Mother, Pink Floyd played a short, two week tour of Europe which ended on November 29th in Munich. This audience recording surfaced about ten years ago. The first silver release was on Zirkus Krone (Shout To The Top STTP 210/211), which is one of the better releases on a generally inconsistent label. They used at best a fourth generation tape that was clear but rather thin sounding.
Sigma on Zirkus Krone ’70 is a major upgrade of the STTP. There is a much broader spectrum of frequencies available, producing a much more interesting live sound for the show. It still qualifies as a good recording, but there is much more detail audible on the tape and is on the whole much more enjoyable and a major upgrade over the previous silver release.
Although many of the shows in this period were recorded, not many are currently available on silver disc editions. The most common are Reemergence (Highland HL 204/205) with the November 7th Rotterdam show, Montreux Casino (The Swingin’ Pig TSP-CD-257-2) of the November 11th Montreux, and Mounting Pressure(Highland HL 196/197) of the November 25 Ludwigshafen tape.
The members of the band have been dismissive of their efforts on Atom Heart Mother. David Gilmour has gone so far as to call the album “absolute crap” and a “blundering in the dark.” Such invective is strange since one of his best compositions “Fat Old Sun” comes from this album.
In hindsight, compared to the albums Meddle and Dark Side Of The Moon that will follow, it isn’t a classic. However at the time it received favorable reviews in the press who were proclaiming Pink Floyd the most progressive band in progressive rock (before that label became anathema). The tape begins with brief tuning and Roger Waters introducing the opening number “Astronomy Domine.” By this time Waters really made this Syd Barrett penned song his own, and Gilmour adds interesting heavy metal style guitar riffs to the long instrumental middle section.
Waters introduces the next song by saying, ”this is a brand new song and it’s called ‘Fat Old Sun.’” One of the first songs written for the new album, this version is more than fourteen minutes long with the extended Wright keyboard solo and the jazzy guitar improvisations by Gilmour.
Before the final song of the first half of the show Waters says, “Thank you very much. What we do intend to do is a song off our most recent album. It’s on, it’s an instrumental, it’s called ‘Atom Heart Mother’. Thank you. I propose to sing all the brass parts myself. You may not hear them, but I shall sing them quietly. When we finish that we’re going to take a break and then come back and do some more.”
What follows is a short, sixteen minute version of the piece that lasted for twenty four minutes on the album and was regularly extended to over a half hour in performance. All of the sections are present and there are no cuts in the tape, but they do shorten the individual movements of the suite. The second half of the show begins on the second disc right at the beginning of “The Embryo.” At twelve minutes long it contains some intense jamming and a very strange “seabird” section in the middle.
“This is a song called ‘Green Is The Colour,’ and following it very closely will be an instrumental called ‘Careful With That Axe, Eugene’” is Waters’ introduction to the heart of the second set including a glorious thirteen and a half minute version of “Set The Controls For The Heart Of The Sun.”
There is a long period of tuning and whistles from the audience before Waters introduces the final song of the evening. “This is our last piece this evening. It’s an instrumental and it’s called ‘A Saucerful Of Secrets.’” The first two movements, “Something Else” and “Syncopated Pandemonium” are present on the recording. The tape cuts out after eleven minutes right before “Storm Signal,” cutting that and “Celestial Voices” out completely. What is present is spectacular and it is a shame the taper ran out of tape.
Zirkus Krone ’70 is another great release on the Sigma label. It is an upgrade in sound quality over the previous silver release of the tape, and is a fascinating document of Pink Floyd right around the time of the release of the new album. The label use dull paper instead of the glossy paper used for their other releases and it is limited to only two hundred copies.If you liked this review, buy me a cup of joe. (Suggested: $3 a shot or $7.5 for a double)
VN:F [1.9.22_1171]Pink Floyd - Zirkus Krone '70 (Sigma 6),