Home / Eat A Peach label / Pink Floyd – Trip Through Germany (Eat A Peach EAT 170/71)

Pink Floyd – Trip Through Germany (Eat A Peach EAT 170/71)

Trip Through Germany (Eat A Peach EAT 170/71)

Niedersachsenhalle, Hannover, Germany – November 27, 1970

Disc 1 (61:38) Astronomy Domine, Fat Old Sun, Cymbaline, Corrosion In The Pink Room / Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict, The Embryo / Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict (reprise)

Disc 2 (67:18) Atom Heart Mother, Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict tease / Green Is The Colour, Careful With That Axe Eugene, Introduction, Set The Controls For The Heart Of The Sun, Final Speech, A Saucerful Of Secrets

Over the past few years there has been a restructuring of thought when recordings of Pink Floyd culled from their German / European dates in November 1970 are concerned. First off there is an old vinyl bootleg called Pictures Of Pink Floyd Vol 1 (Topsound 70001) and Vol 2 (Topsound 10022), while the cover may eluded to the fact that it was from a USA concert in April 1970, keen listeners easily deduced it was not from then but from Europe in late 1970 due to song structures, mainly of Fat Old Sun and Atom Heart Mother. There was a comment made by Roger “My Lords, ladies and gentlemen, Mr Nicholas Mason”, thus this recording was attributed to Gothenburg, Sweden as supposedly there were members of the Swedish royal family in attendance at that concert. Since the POPF featured a unique piece of music referred to as Corrosion, most also believed that the recording was done within a few days time of another concert, Hamburg Nov 14, 1970, that contained the same piece of music, so the recording for many years was referred to as Gothenburg.

As time goes on, somehow “new” recordings surface, and sometimes throw a wrench in the works, such is the case with the three fragmented recordings that surfaced in 2012 and released by Sigma as In Germany 1970-1971 (Sigma 71). This title was sourced from a cassette featuring snippets of three different concerts, Hamburg – November 14, 1970, Hannover – November 27, 1970 and Munster, Germany – February 24, 1971. Well, after close examination, the music referred to as Hamburg did not match the circulating recording for that date, see Corrosion (Sirene 235), then it was discovered that the material dated Hannover matched the circulating recording Hamburg. An additional piece of the puzzle came into the picture in mid 2016 when a recording for the Gothenburg – November 11, 1970 concert surfaced on Gothenburg 1970 (Sigma 156).

Based upon all this new information, the problem would be what to do with the Pictures Of Pink Floyd recording. After an examination of the dates from the tour that had no known recording, it was deduced it had to be from Saarbrucken – November 28, 1970. And this does make sense based upon the piece known as Corrosion, there are three know versions of this song in circulation and all three are very similar, most believe that they were recorded close together, it would not make sense if they were weeks apart. The third version you ask? It was recorded for French TV at the conclusion of this tour on December 5, 1970.

So here is what has been restructured:

Gothenburg, Novermber 11, 1970 – Gothenburg 1970 (Sigma 156)

Hamburg, Germany, November 14, 1970 – In Germany 1970-1971 (Sigma 71)

Hannover, Germany, November 27, 1970 – Corrosion (Sirene 235), In Germany 1970-1971 (Sigma 71), Trip Through Germany (Eat A Peach EAT 170/171)

Saarbrucken, Germany, November 28, 1970 – Pictures Of Pink Floyd (Topsound 70001 / 10022)

Now we have that out of the way, let’s take a look at this new title from the Eat A Peach label of the Hannover – November 27, 1970 concert. The November tour through Europe is, for me, a high point in the Floyd’s early touring career, many of the concerts exist on and circulate either through bootlegs or in trading circles and are available for our listening enjoyment, and there is much to be enjoyed. After the somewhat rudderless late 60’s, the band seemed to have found direction largely thanks to their draw as a live act. This gave them the ability to gel together with David Gilmour and write as a unit, and their creativity would culminate with a series of incredible records, Ummagumma, More, Atom Heart Mother, and Meddle. For me the studio records are like titles of chapters, the real text is in the live recordings, and for me it gets no better than 1970.

The recording from Hannover, originally thought to be Hamburg, has circulated for years and is an essential piece to the early Floyd puzzle, as intriguing as Birmingham – February 11, 1970 and Sheffield – December 22, 1970 as it contains a very unique performance. Not only do we get one of three versions of Corrosion aka Libest Spacement Monitor but also Roger does several incredible “pict” rants based upon his piece, Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict from the Ummagumma record. The performances from this period found the band playing in small halls and most have an intimate atmosphere, and Roger is in an interesting mood and seems to have an almost open dialogue with the audience, a rather rambunctious group of young fanatical German Floyd fans.

The recording falls into the very good range, just slightly distant with all instruments and vocals clearly heard. To my ears it sounds as if the Peach folks have slightly increased the volume making the small amount of tape hiss just a bit louder, I am basing this on the 2003 transfer of the Reel to Reel 3 3/4 ips referred to as T136 that is considered the lowest generation and best source in circulation. What this tape has over the old Sirene Corrosion title is a warm and natural sounding listening experience and it runs at the correct speed, an is just a hair longer as well. While I fully acknowledge that mastering of these old tapes tends to follow ones tastes, it does seem that the trend is going for a more natural sound of what the recording actually sounds like versus trying to achieve a bright and brittle sound free of hiss that has no soul to it.

It boils down to this, I like this new release. The tape hiss does not bother me and the recording sounds great and is quite enjoyable, add this together with a sublime performance, one of the best from 1970 and you get a winner. I fully agree some may not like the mastering of any title, but this is a forum to discuss opinions on a titles merits so those who do not have a particular recording can make a determination of whether it is worth their investment or not. Until the master tape of this recording or the full recording found on In Germany 1970-1971 surfaces, this new title from Eat A Peach is an acceptable alternative to the long out of print Sirene title and is a nice title to have. The packaging is simple mini LP style jacket with CD sleeves and inserts all having great photos from the era, there are nice liner notes from the Lazy Goalkeeper.

If you liked this review, buy me a cup of joe. (Suggested: $3 a shot or $7.5 for a double)

Check Also

Pink Floyd – Santa Monica 1971 (Sigma 237)

Santa Monica 1971 (Sigma 237) Santa Monica Civic Auditorium, Santa Monica, CA, USA – October ...


  1. I’m sure Discogs was ‘leaned on’.

  2. I finally got around to listening to this. AHM is pretty heavy on this, eh? BTW… Did you notice that Discogs has banned all the boot labels for sale?

    • It’s something I was going to discuss on the Facebook page. I think Discogs and dealers will suffer from this – Maybe not as big of a deal but it will end out cutting up quite the swathe of their profits. True, there are a few less collectors now but it was a goldmine for picking up some of the titles that I’d previously missed.

      • Careful Axeman Eugene

        I noticed that on Discogs.com a couple or few weeks ago, but apparently not ALL boots have been banned yet…at least not YET. Buyers/collectors will suffer as well, as it’s bad enough already that GEMM (Global Electronic Music Marketplace) went down in early 2016. Very unfortunate!

        • There are pros & cons of it. For anyone, who’s trading or selling it’s better as services like Discogs or GEMM have notoriously reduces prices, add the fact many of people are now downloading torrents, true collectors were victims of such situation. Some of these sellers haven’t idea of how to rate the stuff and many of them (dealers especially) sold it for almost nothing. As a long time trader & collector it’s good to see the come back of good old snail mail trading, tripping through the trade fair and meeting with the people face to face instead of selling/buying via Internet. Bootlegs have been always a treat and they should be in future. They’re not for casual listeners and they aren’t a common product.

  3. I just ordered one and I’m totally psyched to hear it.

  4. Thanks for the review.

  5. Thanks for clarifying the info on those various releases. I did a quick comparison myself between this and Sirene’s Corrosion and I can only agree with the review. Eat A Peach is definitely closer to actual pitch and is a bit louder and fuller sounding. Nice work from Eat A Peach and an excellent review from relayer67. In my opinion, a very unique performance and a worthwhile upgrade.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.