Pink Floyd – Riding The Cow (Godfather Records GR515/516/517)

Riding The Cow (Godfather Records GR515/516/517)

Cow Palace, San Francisco, CA – April 13th, 1975

Disc 1 (42:21):  Raving And Drooling, Shine On You Crazy Diamond Part 1-5, Have A Cigar, Shine On You Crazy Diamond Part 6-9

Disc 2 (56:22):  Speak To Me, Breathe, On The Run, Time / Breathe (Reprise), The Great Gig In The Sky, Money, Us And Them, Any Colour You Like, Brain Damage, Eclipse

Disc 3 (72:04):  Echoes.  Bonus tracks, Fillmore East, New York, NY – September 27th, 1970:  Astronomy Domine, Green Is The Colour, Careful With That Axe Eugene, Set The Controls For The Heart Of The Sun, Fat Old Sun

Pink Floyd’s 1975 tour has received much attention the past couple of years from labels.  Riding The Cow focuses upon the April 13th San Francisco show, the second of two nights in the Cow Palace and the fourth overall.  Godfather is the first CD release of the old vinyl Prism (RP-986 3S – PINK-SF-A/D) released many years ago.  The recording is very good and enjoyable with a pronounced emphasis on the top end.  It lacks the depth of some other recordings from this era, but has much clarity. 

Unfortunately the tape is incomplete with the second song of the first set “You Gotta Be Crazy” missing.  It has never surfaced in the intervening years so it’s assumed to be lost forever.  A second audience recording does exist and, while it is worse quality, runs from the beginning to about a minute into “Us & Them” before cutting out.  It does have the song which the first source lacks.

Godfather chose unwisely to utilize only the first tape.  An edit of the two sources to present the entire concert would have been a good idea and would’ve made Riding The Cow a sterling Pink Floyd release.

The concert itself is highly enjoyable.  Pink Floyd shared a special relationship with San Francisco dating back to the early shows at the Fillmore West.  One of their best television appearences was taped for WQED in the spring of 1970.  At the Cow Palace in 1975 Pink Floyd delivered an intense and wired performance.  

It starts off with one of the more aggressive versions of “Raving And Drooling” with Waters spitting out the words with particular venom.  There are some speed issues on the tape by the end (probably a malfunction which explains why “You Gotta Be Crazy” is missing).  

Waters’ introduction for “Shine On You Crazy Diamond Parts 1-5” is missing.  But the piece as played in this show is quite pensive and reflective.  The bass-line in part five is quite loud for some reason.  It doesn’t overpower the other instruments, but rather shows how intricate the melody really is.  The segue into “Have A Cigar” is seamless and the first half of the show ends with “Shine On You Crazy Diamond Parts 6-9.”

The second half of the show with the Dark Side Of The Moon LP is greeted by cheers, screams, shouts of “sit down” and firecrackers.  But the audience settles down soon enough to follow the nuanced performance.  

“Speak To Me” turns into a disturbing drone at the segue into “Breathe” and at points the band try to improvise within the limitations of the piece.  “The Great Gig In The Sky” sounds very jazzy by the end as does, curiously enough, “Money” during the long solos in the song’s middle.  

A highlight is reached for the jam session in “Any Colour You Like.”  It’s turned into a free-form piece with Gilmore and Waters’ very loud bass playing off of one another effectively.  The only encore for the show is “Echoes.”  Waters takes the lead in some parts on the bass and the back up singers are featured prominently by the end of the song.

Godfather include the early show on September 27th 1970 tape as a generous bonus on disc three.  Pink Floyd played two shows in the Fillmore East that day, at 6:00pm and at 9:00pm.  It is a very clear recording of most of the set.  Most of the show was recorded but “A Saucerful Of Secrets,” the final song and the encore “Atom Heart Mother” are missing. 

Pink Floyd toured North America for about a month in the autumn and coincided with the release of their new LP Atom Heat Mother.  The set was still reliant upon the older songs made popular by their inclusion on the live LP in Ummagumma, namely “Astronomy Domine,” “Careful with That Axe, Eugene,” “Set the Controls for the Heart of the Sun” and “A Saucerful Of Secrets.”  But two songs from the new album, “Fat Old Sun” and the title track were played regularly.

The set opens with the Waters arrangement of Syd Barrett’s “Astronomy Domine,” very playful and joyous.  “Green Is The Colour” is played as a prelude to “Careful With That Axe, Eugene.”  This is of course a vestige of their work The Man And The Journey where the pieces were called “The Beginning” and “Beset By Creatures Of The Deep” opening the second half of the work.  “Careful With That Axe, Eugene” in this performance reaches a really nasty peak about seven minutes in. 

This is great Pink Floyd at a creative peak.  A review of the late show stated:  “the Pink Floyd trooped out on stage followed by about ten union horn men (dressed down for their gig at the Fillmore!) and a chorus of approximately 20 singers. All of this entourage was fronted by a conductor! They all proceeded the perform a type of rock-classically fused composition that lasted about an hour, and sounded like one of Blood, Sweet and Tears’ more ambitious compositions at best.  I really feel that if one mixes rock with classical music something more ought to come out of it than merely bad rock or bad classical music.”

Including the Fillmore East tape is a nice bonus and it’s good to finally have this fragment on silver disc.  Riding The Cow is a solid effort, but Godfather’s not editing the missing song in the 1975 show really detracts from what would have been an excellent release. 

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  1. …or show a little gratitude that someone who gives so much of their time to go above and beyond for a hobby they love. A lot of these reviews are highly researched and well thought out. That all takes time. Believe me.

  2. @Roberto : Looks like you had to PAY for somebody’s hours of work in order to give HIS point of view on something, to actually HELP other who are interested in it ….
    This site is not Amazon and CMR doesn’t sell the titles it deals with, nor does it profits from the bootleg label’s sales (at least I reckon).
    It would be nice if people reading reviews on this site would just be grateful to find them, or simply shut up if they aren’t… too much complaining moans in the commentaries this time, I wonder how it can be motivating for the reviewers giving time and money to keep it all going…

  3. I guess I don’t understand how my review is not “appropriate and honest.” The sound quality is good for both. And I stated that both shows are quite rare. However, I do think Godfather should have spliced the missing song from the second San Francisco tape to complete the show. So I thought Godfather dropped the ball on this one.

    If I praise Godfather releases, then I’m accused of being their saleman. If I criticize a Godfather release, then I’m being dishonest. Tells me I’m doing something right…

  4. it’s been a long time since i left a comment on pf items on your site, that’s because i found the latest reviews on the ” GODFATHER ” items quite right and honest, i don’t read anymore your reviews on the sigma items because after ” santa monica 71″, “deep space”, and “maryland73 ” ( that i bought hoping to have value for money) i confirm my thought that these japanese guys have always the best treatment even if they offer weak releases ( “santa maonca 71” is really horrible…), so i believe as a, long-time floyd collector, that you should review only led zep stuff and let the floyd items to someone else… i purchased this title at the Milan cds and records fair and , leaving apart the fantastic packaging( great booklet with nice notes and rare pictures, especially of the fillmore programme) , this item provides one of the most interesting floyd releases of the year 2010, two top gigs ( and the fillmore one is damn rare) and with a great sound too, i listened to the tape sometimes ago and compared to the final release there’s a great effort in mastering, any word on your review about this? any word on your review about the esssy we can find inside the packaging and in the booklet too? any word about the effort of offering this stuff at a reasonable price? no, that’s why i firmly believe that this review is really not appropriate and honest, sorry to say but that’s it..


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